This is a highly specialized task. Some sort of ``notation'' was supposed to be set probably during the middle-ages.
Cantillation is rendered according to special sign which can be seen as a pre-musical-notation form. A special scripting of the Tanakh3.4 with accents and signs to complement the letters and vowel points is used. These marks are known in English as accents and in Hebrew as ``ta`amei ha-mikra'' or just ``te`amim''. This notation is of Medieval origins. For more details on the cantillations signs see section:, page: and http://www.musicofthebible.com/
Some medieval manuscripts of the Mishnah also wear similar signs. This example demonstrate the ``codified'' and specialized nature of the cantillation. Even though this was set probably in the European communities during the middle-ages it can be safely supposed that cantillation has been codified very early in synagogue service.
Three functions are commonly attributed to the cantillation signs:
It must be kept in mind however that this tradition of cantillation, just like the Muslim Qur'an reading is not considered as ``music'' but as a form of religious service.
Not unlike Gregorian neumes, Masorite editions of the Hebrew text have different symbols attached to the Hebrew letters. One of them is the vowel pointings, as the Hebrew originally does not contain vowels, and the second is the cantillation marks.
Here is a comparative example of the markings:
Vowel pointings are a great help in the correct pronunciation and understanding of the original Hebrew. The meaning of the words can drastically change with the pronunciation.
Te'amim, the cantillation marks have two purposes. One is the correct accentuation of the syllables and the second is to provide a ground for proper cantillation.
Usually the vowel pointings and the cantillation marks go together but for the purposes of this short study the examples are given with te'amim only.
There are ten symbols used in the book of Psalms and one sign for the vocal ``shake'' shown far right in the example below:
Mehmet Okonsar 2011-03-14